I am tempted to begin by saying that I watched the movie “Fisherman’s Friends,” so that you don’t have to. Perhaps a better introduction would be to paraphrase Abe Lincon. “If this is the sort of movie you, you may like this movie.” To be fair, I am not a fan of rom-coms and why making a romantic comedy about a real-life group of shanty-singers in Cornwall was a good idea is still a mystery to me.
If you are not familiar with the actual story of the Fisherman’s Friends, they are a group of shanty singers, including some actual fishermen, from Port Isaac, Cornwall. They are described as the original “buoy band.”
They have been performing together locally since 1995 and signed a record deal with Universal Music in March 2010. Their albums have done well. Their first CD with Universal went gold, the only folk music album to land in the UK Top 10 charts, becoming the biggest selling traditional folk album of all time. So, when the title of the movie says, “Based on a true story,” there is at least a little truth to it.
In a nutshell, the movie’s plot is that a group of sleazy music industry types find their way to Port Isaacs, Cornwall, and by chance hear a local group singing shanties. As a joke, the boss sends one of his number to sign the group, describing the music as “the rock ‘n’ roll of 1752.” What follows is a fairly tame culture clash between the fishermen and the music industry lout. Soon, the lout is falling in love with the daughter of one of the fishermen, while learning important life lessons about priorities and values. Surprise, surprise, after seeing the error of his ways, the lout turns out to be a pretty nice guy after all. And after various twists, turns, and pointless subplots, the group gets their record deal and their album is a hit.
Basically, the screenplay is weak and cliched. That would be OK if only the music made up for it. The singing sounds great. The director mixed the voices of the actual Fisherman’s Friends with the voices of the actors, so the harmonies are wonderful. There just aren’t that many shanties in the movie and those featured range from fine old classics to the tired and hackneyed. “What Do you Do with Drunken Sailor?” (which shows up twice) and “Blow the Man Down” both make an appearance. Some classics are included. “South Australia”, “New York Girls” and “John Kanaka” are featured, as is the modern shanty by Andrew Cadie, “Keep Hauling.” Unfortunately, so is lots of British pop music used in the soundtrack as background filler. The producer or director seems to lack confidence in their source material.
I may be being too harsh. I love songs of the sea but not fond of rom-coms. Your mileage may vary. The movie was notionally a “hit” in Great Britain, notwithstanding only bringing in somewhere over 10 million pounds at the box office. There is even talk of a sequel set in Australia.
The movie “Fisherman’s Friends” is streaming on Netflix and is available for rent on Amazon, Hulu, and other online services.
Here is some recent music from the group.
I hate to kick your bricks over but the movie is based on very real and very tragic events which were heavily sanitised to make them more palatable. Never let the truth get in the way of a good story. The original people were very real.
This is the true story of the death which, to attract audiences, was heavily edited to cause least offence and truth.
https://www.cornwalllive.com/news/five-years-tragedy-fishermans-friends-1187404
So you obviously have not seen the movie. Yes, the original group was and is very real. That being said, the 2013 stage accident which killed two people had absolutely nothing to do with the movie, set nominally in 2010. The death of the oldest member of the group in the movie, from natural causes, was one of the lesser plot points in a completely formulaic screenplay.
Rick, I’m distinctly ashamed to say that I, as a Brit who once lived in Cornwall, haven’t yet seen this film but you have! I’ll rectify this ASAP to see if I agree with your review. But it’s certainly true to say that romcoms from these parts are either superb or absolutely atrocious, rarely anywhere in the middle…
I look forward to your take on the movie. My favorite romcom from the Uk was Local Hero from 1983, although that was set in Scotland and not Cornwall.
“Local Hero.” Just looked it up and now it’s on the list. Thanks, Rick!
Just about to view for the THIRD TIME…………… Proper Job 🙏⚓️
RomCom is a genre, not a value judgement. It’s formulaic, but so is The Cosy Mystery, The Tart with the Heart, The Man Who Survives, The Intruders from Space, The Star Crossed Lovers … The Midshipman who makes it all the way to Admiral. The genre is a formula, as is a sonnet, a concerto, a portrait, a landscape. Individual examples can be done well, or badly. Personally, I enjoyed Fisherman’s Friend, and Local Hero, but I think that has a lot to do with the fact that they are RomComs that focus on a man transformed by love, unlike some of the RomComs I’ve sat through with my wife that are focused on the woman, as in Pretty Woman and You’ve Got Mail, which are first class examples of the genre.
Old Salt, I always enjoy your film reviews. You are a tough critic but that’s what I appreciate. A review is different than a blurb or endorsement. To hear the men sing South Australia and New York Girls, and to see sights of Cornwall might be worth the price for me.
I always thought you were a little harsh on your review of Robert Redford’s All is Lost (2013) but your analysis compelled us to view the film. Keep ‘em coming!
Rick,not only have I seen the movie, I have the, very much treasured, CD.
The movie was nominally set in 2010 but was filmed in 2017, 2018. The death of the band member in the film was “artistic license” for the deaths of two of their most important, and loved, people who had been involved from early days. A large roller shutter door ending their lives would not have fitted in with the story or the ROMCOM style of the movie but the band members and the script writers wanted the tragedy to be represented.
We obviously will agree to disagree. As I suggested before, “If this is the sort of movie you, you may like this movie.”